This is one great way to put your personal stamp on a gift for someone special (or tailor it specifically to that someone special’s style). Start from scratch to make your own concert t-shirts, college t-shirts, funny t-shirts, gym t-shirts, mothers day t-shirt, fathers day shirts, valentines day shirts, birthday shirts or much more special occasions. Every order is reviewed by an expert artist, confirming that your design turns out exactly the way you envisioned it! Custom clothing is also an excellent gift idea for tradeshows, reunions or corporate gifts.
If you love this shirt, please click on the link to buy it now: https://flickrtees.com/product/no-vaccine-passport-pocket-shirt/
Photos of a Yohji Yamamoto lineup never capture the degree of details printed words, an artistic embellishment that you will discover on the clothes up close. Only when poking around backstage after today’s show did the text “I hold you, you hold me” reveal itself on a loose-fitting shirt. The designer, too, usually doles out his thoughts judiciously, as though being forced to explain himself not only demystifies the process but goes against the interpretative aspect of what he creates. Today, he reiterated his fear of an impending climate crisis, as well as his view that gender distinctions in menswear and womenswear have all but evaporated. These talking points manifested as ultra-relaxed ensembles, some bearing near-nonexistent landscapes. Masculine workwear jackets superimposed on suiting were interspersed with more ambiguous silhouettes, namely a dashing duo of full-length windbreakers in deep blue and yellow, worn like dresses. One of the two shirts styled overtop was marked up with the words mother f well, you get the idea. Compared with the humble raw cotton and signature black gabardine, a black velvet grouping introduced a certain grandeur especially those pieces covered in pseudo-historical heraldic emblems. Yamamoto said he experimented with these purely because he wanted to an aesthetic indulgence, essentially. In that vein, some pieces could have been spared the myriad zippered vents and excess bands. If nothing more, they were a reminder that he is not a minimalist. Yamamoto’s approach seemed less conceptual this season, and his commentary was correspondingly direct. “The earth is going to be crazy, really crazy,” he said. “I’m afraid the earth is going to die.” Did he think he would see this in his lifetime? “No, maybe our children and grandchildren.” And yet this wasn’t necessarily an exercise in fatalism. The pair of hands on the side of a garment were they signaling some sort of diplomatic handshake or a more affectionate clasp? “Both,” he replied. So we have a quandary: How can we have an economic theory that does not describe changes in the level of wealth? The fact is, that in typical explanations of the Savings equals Investment identity, one might come across in economics courses, it is implied that somehow this Savings that equals investment DOES include changes in the level of wealth. And that, I believe, is not only not true, it has led to all sorts of confusion. After thinking about this, I realized, that the expression for savings needed an additional element if it was going to include any changes in the level of wealth, I had to do just that. I had to add changes in level of wealth to the expression for savings.
During a flying showroom appointment this morning, Yang Li explained that this menswear collection is a remixed and updated compilation of some of his and his client’s favorite past pieces. That remix was achieved in collaboration with a roster of Li-loved musicians old and new: Genesis P-Orridge, Godflesh, Michael Gira, Psychic TV, Ramleh, Swans, Torturing Nurse, Tropic of Cancer, Yung Lean, and Zuoxiao Zuzhou. In harmony with these cocreators, Li applied mixed-up fan patches to the back of biker shorts and starkly graphic white stenciling to the front of black suiting. There was a gothic Godflesh robelike parka and a hard-edged denim donkey jacket, a cool red-fringed black shirt, and a typically tough KTC-produced trench, and a fine satin-lined double-faced fish-tail parka. The collection was entitled Greatest Hits (Side A), which suggests Li is going to move onto some B-side rarities and more remixes come next season. And there will be more vinyl than that applied to the shoulder of that donkey jacket: Each musical artist is contributing a track to what will become a Yang Li LP. There is an echo in the work of Glenn Martens’s Y/Project of Vivienne Westwood’s “Drunken Tailoring.” However, the distortions achieved by Martens are much more extreme, much more mind-twisting, much more perception-altered: Call it “Acid Tailoring,” maybe. Held in a church, the Oratoire du Louvre, and with a soundtrack by Bizet’s “L’Amour Est un Oiseau Rebelle,” partially performed by Beaker from The Muppets, this was a show in which grandiosity was undercut by humor at every turn. As an ensemble, the looks made up a collection of urban tribes. The apparel assumed by these human tropes was invariably subjected to lovingly violent alteration. The tailored jackets and top coats of Y/Project’s smoothly conventional urban man were disrupted and turned inside on themselves in little explosions centered on the left-side lapel. Chevron stitching on cheesy knits pointed downward past the double-zippered fanny packs to the tightly fitted leggings (this is really happening) below. Faux country wax jackets and hipster workwear jackets were grabbed by an invisible hand at the collar and pulled upward as if the wearer was being ejected for unruly conduct. Some of the womenswear was outstandingly beautiful. So I added to the definition of any savings that “results from a period of economic activity”, the amount of any changes in the total level of wealth that occurred in that economy. And actually not just added the amount of wealth created, but also subtract off the amount of wealth depleted. So, to the definition for savings, I add “wealth created” minus “wealth depleted”. I call this quantity the “net production of wealth”, or simply “net production”.
The flow of fashion culture from the West to the male youth of Asia turned in the opposite direction in Katie Chung’s Spring collection. Based in Seoul, the epicenter of a generation of clued-up, hyper stylish boys, she brought the energy of City Pop, a cult style and music revival, to her show in Paris. “City Pop took off in Japan in the ’70s and ’80s, when the economy was booming. Kids looked to American lifestyles in Miami, L.A., and Hawaii and wanted some of it. They invented this whole jazz-electronic New Wave fusion of their own, with a beach-in-the-city look and Hockney-like posters,” she explained. “For a long time, people thought it was uncool. Now kids have started listening to it again there’s a whole underground City Pop thing going on. But,” she added, “of course, every revival looks different boys are wearing it in their own modern way.”Chung turned it out as a merge of Hawaiian palm-tree shirts, tie-dye, and ’40s-’70s Deco prints, layered into the kind of tailoring you see lanky groups of Korean boys wearing around Seoul Fashion Week. K-pop standards of male fashion-consciousness have upped the ante on dressing well throughout Asia. Wooyoungmi’s long track record in tailoring fits right in with that specific thirst for innovation—Chung’s oversize brown-and-white-checked shorts suit with a matching coat; her elongated jackets with wide fluid pants. The latter silhouette is the trend of the season in Paris menswear, of course. Hawaiian shirts too. That eye for what’s right is applicable internationally. although Woolrich has yet to secure the necessary city permits, the plan is that its soon-to-open New York store will feature a “weather room” in which shoppers will be able to test-drive garments in temperatures as low as minus 20 degrees Celsius. Florence right now and New York in August (when that store opens its doors) seem like ideal locations for a walk-in refrigerator such as that planned by creative director Andrea Cane. As Stefano Saccone, the company’s newly installed CEO observed over a slice of pizza post-presentation, Woolrich is “a big Q4 business” which is executive for “It sells like crazy when the weather turns nasty.”
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
Vist our store at: https://flickrtees.com
This product belong to trung-cuong