Buy this shirt here: Deb Haaland Susan sat so Wilma could walk so deb could run shirt
The 90-some looks that walked the Deb Haaland Susan sat so Wilma could walk so deb could run shirt Metropol runway were less of a lesson in Sicily’s patchwork past than they were a primer in Dolce & Gabbana’s own history, of course. The hourglass dresses and sharply-cut jackets pieced together from squares of brocade, chiffon, georgette, and cotton, among other materials, have long numbered among the duo’s can’t-fail silhouettes. No one looking at this collection would mistake the shirred minidress in a mashup of polka dots and florals or the bustiers and bra tops in checkerboard black-and-white for anybody other than D&G. Their command of their signatures is key to their success.
While paying tribute to Oberon, McKnight sought to modernize the Deb Haaland Susan sat so Wilma could walk so deb could run shirt row of tightly wound curls Oberon often wore like a crown on her head by reimagining her signature style as a sleek, low-slung updo. After parting the hair clean at the middle, he created the style by pulling lengths back into a series of low ponytails at the nape, then placing the ends of each section into a curling iron and rolling up the section to the base, releasing the iron, and pinning each curl in place to create a single row, or double rows of curls in a square shape. A chic and flattering style for Fendi’s diverse cast, which included Karen Elson, Paloma Elsesser, Eva Herzigova, Penelope Tree, and Yasmin Le Bon, the Fendi roll is a more affordable and Zoom-friendly alternative to this season’s Baguette. So make like McKnight and get to curling and pinning!