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April 2,1971, Janis Joplin was at No.1 on the US album charts with ‘Pearl.’
They don’t make `em like Janis Joplin anymore. In today’s age of gratuitous vocal overdubbing and endless studio-sparkle, very rarely do vocalists feel the need to muster the immense oomph that was evident in almost every note Miss Joplin ever recorded. Sure, her voice was rugged, raspy and not at all pretty in the traditional sense, but she bellowed every word from straight from the bottom of her gut, putting fiery emotion into every syllable.
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The album that displays her vocals at their most confident is 1971’s Pearl. On her debut, 1968’s Cheap Thrills, sludgy, psychedelic guitar shared an equal footing with her mighty cries. On 1969’s Kozmic Blues, dense, funky baselines were her partner. On Pearl, though, the instrumentation is placed distinctly behind her vocals. Her commanding, three-dimensional, highly textured voice bounces across delightful melodies (“Move Over” “Cry Baby“), induces dulcet psychedelic trances (“Half Moon,” “Trust Me”) and soars straight to the heavens (“Get It While You Can,” “Me and Bobby McGee”). On a few tracks, her new confidence results in unstructured yelping (“A Woman Left Lonely,” “My Baby“), but that is forgivable for so many moments that are utterly intoxicating. No vocalist in years has released an album as raw and powerful as Pearl and it is becoming increasingly unlikely that one ever will. 10/10. From that Cry Baby shirt was born with great love. People wearing this shirt will feel happy and confident when the street down with the beautiful memories have passed.
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